Inspired by the legendary stage shows of Pink Floyd — reimagined through saxophone, keyboards, and a production built to feel bigger than the room it's in.
Pink Floyd never had an official saxophonist in the band — but Dick Parry's baritone and tenor sax work on Shine On You Crazy Diamond, Us and Them, and Money was essential to the classic Floyd sound. That's why those three tracks anchor the show: they're the songs where saxophone was genuinely part of the original recordings, which is what makes retelling them through saxophone feel authentic rather than a novelty.
On stage, Phil plays a range of saxophones, a Roland stage piano, a Yamaha Genos 2, and a piano accordion. When Phil is seated at the keyboards, every part is played live. When he moves to saxophone, the backing is a track Phil recorded himself — the show is built entirely from his own performances, live and recorded.
The repertoire draws from three classic Pink Floyd albums: The Dark Side of the Moon, Wish You Were Here, and The Wall.
Phil is the only musician on stage — but by the end of the night, it doesn't feel that way. Through live cameras, recorded footage and a build that grows across the set, one performer becomes several, appearing together on stage as a full band.
Some of what you see and hear is captured live, in the moment, then played back later in the very same performance — the line between what's happening right now and what was recorded minutes earlier starts to blur, deliberately. Exactly how and when is part of the show's own reveal, so we'll leave that for the night itself.
The stage plays its part too: pieces of the set move and reconfigure through the performance, giving the whole show a slicker, more cinematic feel than a solo performer standing still behind a microphone. Most audiences don't consciously clock it happening — they'd just notice if it wasn't there.
We could explain exactly how it's all done. We'd rather you saw it for yourself.
Behind the performance is a full lighting and video production, run live from the production desk: moving lights, haze and beam effects, a laser, a mirror ball, and a circular projection screen showing song-specific film, live cameras and the recording/rewind illusions above. The same show is designed to adapt to different stage sizes without losing its identity — a big show, wherever it plays.